Countries around the world have signed an agreement to reduce military forces to 0.1% of the population and ban the development of weapons of mass destruction. However, this has simply changed the conflict from weapons to intelligence warfare. In Japan, a special spy training agency called the "Church" has been established. These agents, known as Sakura, must follow an iron code and cannot form relationships with anyone other than their assigned "Messiah". This is the cruel fate of Sakura candidate Shiba Shusuke who is tasked with investigating a member of the council.

Takemiya Union Tōjō-gumi Wakagashira Yasuda (Hitomi Matsuda) retaliates against the Kansai-based Myōjin-kai by attacking their office after an assassination attempt on Union chairman Shimamura (Shunsuke Kariya). Joined by Yamashina-gumi Wakagashira Kiryu (Yoshiyuki Yamaguchi), the two succeed and pledge to work as brothers without an official oath, dedicating themselves to their organizations and the Union. The Union faces upheaval with Shimamura's retirement announcement and the loss of his son, Katsuto (Hitoshi Ozawa). The leadership race narrows to Tōjō (Hiroyuki Watanabe), Yasuda's boss, and Yamashina (Masahiro Noguchi), Kiryu's boss. Just as Yasuda’s casino operation thrives, a police raid confiscates all earnings and forces its closure. In desperation, Yasuda turns to a certain man (Naoto Takenaka) for help.

Yasuda (Hitomi Matsuda), the Wakagashira of the Takemiya Union Tōjō-gumi, infiltrates the hideout of the Yamashina-gumi's Sakazaki (Junichi Kawamoto), who had been secretly engaged in organ trafficking. Yasuda tries to extract the truth from Sakazaki, but is killed by Detective Hyūga from the Organized Crime Division (Marubō). The blame is pinned on Yasuda, leading to his arrest. Two years later... In Yasuda's absence, the boss of the Tōjō-gumi, Tōjō (Hiroyuki Watanabe), is assassinated by a hitman from the Myōjin-kai. The situation changes drastically. Nikaidō (Tarō Kawano) pressures Yasuda to reestablish his oath of allegiance, but Yasuda firmly refuses. Frustrated by Yasuda's response, Nikaidō makes a certain proposal to the union's chairman, Shimamura (Shunsuke Kariya).

Wicked lawyer Shirai Shinnosuke, who goes for profitable cases only, gets a case asking him to retrieve a famous painting stolen by the criminal of a robbery and murder case. While negotiating with the criminal without the police's knowledge, he gets the painting back but ends up being framed as the criminal instead. In order to clear his name, Shirai works with police officer Sotogawa (Koike Keisuke) and Nakano Hitomi the general affairs department of Metropolitan Police Department to overcome the crisis.

This is an exhilarating experience both visually and aurally. How wonderful that Barenboim is havng such success with Verdi this late in his career.The excitement and power is there in all the big movements and the tempi shouldn't upset anyone. There is clarity and drive in all the big choral fugues and the climaxes will knock your socks off. But it was the quiet moments I found most moving. The incredibly detalied camera work increases this sense of intimacy and the video quality is excellent. Really.

In a playful collision of cultures, a hapless Irishman and his Parisian girlfriend get more than they bargained for when they encounter a particularly mischievous stranger in the spectacular Australian wilderness.

Positioned between opera and theatre, this powerfully accessible interpretation of Handel’s seminal work explores the drama and struggle of faith, showing a bereaved community whose grief at the loss of their leader is transformed into hope through a narrative of resurrection. Inspired by early performances of the work, which were staged in theatres and concert halls rather than churches, including its first performance at Bristol Old Vic in 1782, it is a rare treat for connoisseurs and enthusiasts alike.

A live action adaptation of En Takadono's Messiah novel. Eiri Kaito, a "Sakura" agent, infiltrates the prestigious Seinei Academy. His mission is to get closer to Fumikazu, an ordinary schoolboy whose brother is the leading suspect in a terrorist incident. As the plot progresses, which will Eiri choose? His new "friend"? Or his "mission"?

The National Theatre of Brent present their religious epic - Messiah. With Desmond "Olivier" Dingle and Wallace.

As a small-town social worker investigates a commune headed by a spiritual leader calling himself Moses, she discovers a dead child, sadistic rituals, and ruthless mental and physical abuse.